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Muddy Water
by Nicholas Seeley
This Jungle of Cities reviewed September 4, 2004
Like much of Bertolt Brecht’s early work, In the Jungle of Cities is more poetic than plotted and as much mystical as political. A play that is sometimes set alongside Conrad’s Heart of Darkness and Shakespeare’s Macbeth as one of the classic explorations of human evil, Jungle chronicles a feud, sprung from incomprehensible motives, between a Chicago bookseller and a Malaysian lumber merchant. The language is dense, poetic, and evocative, frequently defying both reason and traditional narrative.

It is a brave theater company indeed that will sail into those muddy waters. But writer/director Berrian Eno Van-Fleet and The Management Company have done so, with a map of their own making.

This Jungle of Cities, written by Eno-Van Fleet, takes situations and ideas from Brecht’s play and re-imagines them in contemporary settings, influenced by today’s problems. The result (rather like the original) is a difficult show that demands a great deal of thought and attention from the audience, but pays it back with a number of interesting ideas and powerful moments.

Many of the best things about This Jungle of Cities are the performances. The actors have to dig deep into the bare-bones poetry of the text to find moments that are human, pathetic, and funny, but they do it.

The highlight may be Megan Riordan’s performance as Maria Nova, the sister of bookseller Victor Nova, who gets drawn into her brother’s feud with the merchant Zhi Tian. Riordan takes a role that could easily be fragmented and nonsensical, and fills it with a passion that makes us believe in her completely. Amy Patrice Golden, as Victor, and Courtney Sale as his girlfriend, Flora, do one of the best love scenes this reviewer has seen in a long time, and Jennifer Harder has some hilarious moments as Victor and Maria’s mother, Malka.

Eno-Van Fleet’s direction is also effective—she never talks down to the audience or hits us over the head with symbolism. She stages her play’s brutal conflicts for what they are, and allows us to question them as we choose. While this kind of interrogation can be tough to keep up with, the show’s short running time prevents it from outlasting the audience’s interest.

Jungle’s weak points are usually connected to the text. Eno-Van Fleet’s re-imagination is, if anything, even less comprehensible than Brecht’s play, and audience members not at least passingly familiar with the original may quickly become lost. And, while the new, modern version of the story focuses much more closely on the dynamics of power and ownership than its rambling source material, it loses a degree of depth and meaning in the process. The homoeroticism and masochism that form a major part of In the Jungle of Cities, for example, are completely lost in the re-imagination. The persistent updating of lines, themes, and elements makes the show resemble a sound-alike score for a Hollywood film.

The only time the show really disappoints, however, is at the very end. It seems, by the climax, as if cast, writer and director have all run out of energy for their ambitious experiment. Elements like scene changes, which throughout the show have been painstakingly executed, start to look sloppy. The staging of the last two scenes is bland and rushed, and the show’s final moment, which is clearly supposed to be a tableau of beauty and horror, looks like a last-minute addition.

Still, Jungle provides plenty to engage an audience looking for an interesting and challenging work of theater.

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THIS JUNGLE OF CITIES

The Loft Theatre
Category:  Drama
Written by:  by Berrian Eno-Van Fleet
Directed by:  Berrian Eno-Van Fleet
Produced by:  The Management Co.
Opens:  August 27
Closes:  September 11
Running Time:  1 hour

Theater:  The Loft Theatre
Address:  312 West 36th Street, 3rd Floor
New York, NY 10018
Mapquest Directions

Click for  Show Listing
Theater Listing
Show's Website
BOX OFFICE
Tickets:  $12.00
There is a pass to all six mainstage shows of The UnConvention for sale at www.theatermania.com.
Phone:  212-561-0636
Online Ticketing: Theatermania
CREDITS
Creative Team
Written by:  Berrian Eno-Van Fleet
Directed by:  Berrian Eno-Van Fleet
Produced by:  The Management Company
Music by:  DJ Coda Rock (Justin Lane Briggs)


Cast
Amy Patrice Golden as Victor Nova
Marguerite French as Moto Eck/The Blade, America
Joan Adele Ryan as Zhi Tian
Rebecca Jupiter as J. Caesar/Worm
Courtney Sale as Flora
Jennifer Harder as Lefty Valentime/Baboon, Malka Nova
Megan Riordan as Maria Nova